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It's Psychedelic Baby Magazine

  • Interviews
  • Reviews
  • Articles
  • Premiere
  • Vinyl of the Day
  • About
  • Contact
  • Podcast
    • More
      • Hi-Fi Series
      • Jazz Corner
      • From The Vault
      • Press
      • Newsletters
      • Limited Edition
  • Interviews
  • Reviews
  • Articles
  • Premiere
  • Vinyl of the Day
  • About
  • Contact
  • Podcast
    • More
      • Hi-Fi Series
      • Jazz Corner
      • From The Vault
      • Press
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      • Limited Edition
Klemen Breznikar

Agitation Free interview with Lutz Graf-Ulbrich

December 19, 2018 Uncategorized 0 Comments

Lutz Graf-Ulbrich stands as a pivotal figure in the landscape of German experimental music. A founding member of the pioneering Krautrock band Agitation Free and a key contributor...

Klemen Breznikar

Oh Sees – ‘Smote Reverser’ (2018)

December 19, 2018 Uncategorized 1 Comment

Yet another act hampered with a silly name (in fact, they’ve rummaged through over half a dozen variations in their two-decade career and released albums under five different...

Klemen Breznikar

Kikagaku Moyo – ‘Masana Temples’ (2018)

December 18, 2018 Uncategorized 0 Comments

Well, you had me as soon as I popped this on and felt Kurosawa Ryu’s headswirling sitar wash over me, but ‘Entrance’ is just one of the reasons...

Klemen Breznikar

Baby Grandmothers interview with Kenny Håkansson

December 17, 2018 Uncategorized 0 Comments

Baby Grandmothers are one of the most prolific and unique psychedelic, modal, experimental power-trios to emerge out of the Scandinavian psychedelic underground-scene. Merkurius is the mind-melting new surprise...

Klemen Breznikar

Farida Amadou

December 17, 2018 Uncategorized 0 Comments

Farida Amadou is a Liège, Belgium based bass player, most well known for being part of the punk band Cocaine Piss and for her free improv sets with...

Klemen Breznikar

The Band Whose Name Is a Symbol interview with John Westhaver

December 14, 2018 Uncategorized 0 Comments

The Band Whose Name Is a Symbol are a collection of musicians from Ottawa, Canada who play some of the best improvisational, free form psychedelic music. Where and...

Klemen Breznikar

Velvet Elevator interview

December 14, 2018 Uncategorized 0 Comments

Velvet Elevator from Wollongong, Australia recently released a heavy psychedelic album Prīncipium. It’s been one of my favorites for awhile now. Who’s in Velvet Elevator and what do...

Klemen Breznikar

Alpha Stone – “Stereophonic Pop Art Music” premiere

December 14, 2018 Uncategorized 0 Comments

Pete “Bassman” Bain, one of the founding members of the UK cult psychrock band Spacemen 3, formed Alpha Stone after Spacemen 3 and his other band The Darkside...

Klemen Breznikar

Wizard Sleeve – “Come And Go” premiere

December 14, 2018 Uncategorized 0 Comments

From their first EP Special Brew, here’s the video to “Come And Go”, an epic narrative about their experiences with the society around them in Brighton. Directed and animated...

Klemen Breznikar

Tokyo Jazz Joints | Documenting A Vanishing World Of Japanese Jazz Culture

December 13, 2018 Uncategorized 0 Comments

Tokyo Jazz Joints is a documentary photography project which began to document Tokyo’s myriad jazz bars and cafes back in March 2015, with little idea of how far...

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Vinyl of the Day

Recorded in 1973–74 and issued in 1975 on Movieplay’s Gong series, Eduardo Bort’s debut marks its 50th anniversary (Guerssen) as a distinctive Spanish prog record, built on his extended guitar work, Mellotron-backed arrangements, and a band sound that gets quite spacey. It was likely an influential record for Spanish hippies in the ’70s, at a time when things were still tightly controlled. Essential from the Spanish underground and one of the strongest psych/prog releases, with a cover that perfectly matches the music, what you see is what you get.

 

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