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It's Psychedelic Baby Magazine

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Klemen Breznikar

JAZZ CORNER Presents: Emanative – “Earth” (2018)

January 22, 2019 Uncategorized 0 Comments

Emanative - Earth (Jazzman Records, 2018) https://emanative.bandcamp.com/album/earth Seems that Emanative finally had the courage to step out on their own on this their fourth album Earth. Previous albums...

Klemen Breznikar

Missing Waves – “Post-Crash” (2018) review

January 21, 2019 Uncategorized 0 Comments

Missing Waves - Post-Crash (Brocoli, 2018) https://missingwaves.bandcamp.com/album/post-crash Missing Waves explained their choice of album title by saying, “Crash refers to when a computer unexpectedly stops functioning, where in...

Klemen Breznikar

The Bangles / The Dream Syndicate / The Three O’Clock / Rain Parade – “3×4” (2019) review

January 20, 2019 Uncategorized 0 Comments

The Bangles / The Dream Syndicate / The Three O’Clock / Rain Parade – 3x4 (Yep Rock, 2019) Boy, do we need this – a perfect time for...

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The Rolling Stones reissues

January 18, 2019 Uncategorized 0 Comments

The Rolling Stones - ABKCO Records reissues Reissues of albums from the Rolling Stones may not come with all the fanfare of recent Beatles’reissues, but with one of the 50th...

Klemen Breznikar

Sugarpulp interview

January 18, 2019 Uncategorized 0 Comments

Sugarpulp is making strides in the Chicago music scene and creating psychedelic waves that delve into deep, sultry tones, rhythms, and melodies. I had a chance to experience...

Klemen Breznikar

The Cactus Blossoms – “Easy Way” (2019) review

January 17, 2019 Uncategorized 0 Comments

The Cactus Blossoms - Easy Way (Walkie Talkie Records, 2019) On Easy Way, The Cactus Blossoms have not only revived the style and attitude of the Everly Brothers,...

Klemen Breznikar

1967 Brit-Psych B-Sides

January 15, 2019 Uncategorized 0 Comments

The mode of the music changed, the walls of the cities shook, rooms hummed harder, ceilings flew away. In his 1965 poem, ‘Who Be Kind To?’, the preeminent...

Klemen Breznikar

Bingo Trappers

January 14, 2019 Uncategorized 0 Comments

The Amsterdam based Bingo Trappers started out 25 years ago as a lo-fi band (with releases on labels like Shrimp and Sing, Eunuchs!). These days, Bingo Trappers sound...

Klemen Breznikar

Mott The Hoople – “Mental Train-The Island Years 1969-71” (2018) review

January 14, 2019 Uncategorized 0 Comments

Mott The Hoople - Mental Train-The Island Years 1969-71 (Universal Music, 2018) A rather enigmatic British rock band who recorded seven studio albums and one live LP between 1969...

Klemen Breznikar

TFS – “A Laughing Death in Meatspace” (2018) review

January 11, 2019 Uncategorized 0 Comments

Tropical Fuck Storm - A Laughing Death in Meatspace (Joyful Noise Recordings, 2018) https://tropicalfstorm.bandcamp.com/album/a-laughing-death-in-meatspace It’s hard for a group with a name like Tropical Fuck Storm to not...

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Vinyl of the Day

In Shelley Burgon’s ‘The In Between,’ a single concert harp becomes a world, as its unamplified strings and the fading light of an Ojai day intertwine, crafting an intimate conversation between music, memory, and the unfolding sounds of the natural world. This singular vision, released by The Black Editions and Thin Wrist Recordings, feels like a profound and human surrender to the inherent beauty of a moment, captured exactly as it was.

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