Blod
“My only intention is to make beautiful music” Blod is the melodic and melancholic recording project of 33 years old Gothenburg-based musician Gustaf Dicksson. You started releasing music...
David Ivar Herman Düne discusses his latest release Santa Cruz Gold with Zack Kopp
David-Ivar Herman Düne was born in Paris in 1976, to a Moroccan father and a Swedish mother. He lives in San Pedro, California. As a musician, he’s been...
The Pride Of Regina – The Andantes
All cities on the Canadian prairies boasted numerous teenage rock bands throughout the 1960s. They ran the gamut from primitive to almost sophisticated. But most tended to have...
Guru Guru interview with Mani Neumeier
The release of Rotate! celebrates 50th anniversary of Guru Guru. Album is available on vinyl via Adansonia Records. The 32nd album in the long history of Guru Guru pulls...
Sound Strider – “Occult Electric” (2018) review
Sound Strider - Occult Electric (Red Tent Records, 2018) https://soundstrider.bandcamp.com/album/occult-electric Sound Strider describes his own sound as “Psychedelic Ethno Trigga Funk for the Information Generation,” which may seem...
The Moody Blues
There are certain groups who began in the 60’s whose music has continued to be re-released time and again in audiophile editions and repackaged in various CD and...
Mooner – “Kelana” premiere
Second full length from Indonesian heavy psych superstars Mooner! The reaction to Tabiat, their debut LP, was incredible, it was sold out within days of its release. O.M. continues in the...
Hasting’s Street Opera interview
Unknown until now US private pressing from 1969. Underground psychedelic electric jazzrock/improv sound with mellow folk-rock moves and homemade/basement atmosphere. Mostly instrumental with some cut-up vocal sounds and...
Tropical Strength – “Drone Song” premiere
“Drone Song” is the first Tropical Strength song to spawn from the live experience, having become a staple in the bands live set, the track has organically taken...
From The Vault: Teenage Fanclub – “Bandwagonesque” (1991)
After twenty years, Bandwagonesque certainly needs a second look, not simply a revisionist look, but a critical and influential look. With that in mind, I could easily say...