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It's Psychedelic Baby Magazine

  • Interviews
  • Reviews
  • Articles
  • Premiere
  • Vinyl of the Day
  • About
  • Contact
  • Podcast
    • More
      • Hi-Fi Series
      • Jazz Corner
      • From The Vault
      • Press
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  • Interviews
  • Reviews
  • Articles
  • Premiere
  • Vinyl of the Day
  • About
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Klemen Breznikar

Clearaudio | High End sponsoring It’s Psychedelic Baby Magazine

June 29, 2017 Uncategorized 0 Comments

High End manufacturer Clearaudio from Germany is sponsoring It’s Psychedelic Baby Magazine.  “Ticket to the top of the world” The Innovation Compact turntable with its very efficient design...

Klemen Breznikar

Bad Luck at the 2017 Ballard Jazz Festival in Seattle Wednesday May 17th

June 28, 2017 Uncategorized 1 Comment

Neil Welch – tenor saxophone, Chris Icasiano – drums/percussion Formed more than 10 years ago, Bad Luck are an avant-jazz duo featuring Neil Welch playing tenor saxophone and...

Klemen Breznikar

Ippu Mitsui – “L + R” (2017) review

June 27, 2017 Uncategorized 0 Comments

Ippu Mitsui - L + R (Bearsuit Records, 2017) https://bearsuitrecords.bandcamp.com/album/l-r Japanese artist/musician Mitsui is one of the latest signings to the eclectic, mostly electronic Scottish imprint, Bearsuit Records,...

Klemen Breznikar

The Origin Uber Band at the 2017 Ballard Jazz Festival Seattle, Friday May 19th

June 27, 2017 Uncategorized 0 Comments

The Origin Uber Band consists primarily of artists who record for the Origin Arts label. Given that Origin has organized the Ballard Jazz Festival in Seattle since it...

Klemen Breznikar

‘Afterglow’ by Triptides

June 26, 2017 Uncategorized 0 Comments

Triptides are premiering their new album Afterglow. Jangle echo-laden psychedelia at its best. “We recorded Afterglow in a period of transition. We knew that we would be moving...

Klemen Breznikar

The Brad Shepik Trio at the 2017 Ballard Jazz Festival Guitar Summit Thursday May 18th

June 23, 2017 Uncategorized 0 Comments

Brad Shepik, who was raised in the Seattle area, began playing guitar at the age of 10 and studied music with the likes of Ralph Towner and John...

Klemen Breznikar

Spiritualized in Other Medications (2017)

June 22, 2017 Uncategorized 1 Comment

With a pocket full of lush celestial narcotics and this wasted sonically layered infusion of Spiritualized covers, laid down lovingly by some of the best of those influenced...

Klemen Breznikar

Merrell Fankhauser And H.M.S. Bounty – ‘Things’ (1968)

June 21, 2017 Uncategorized 0 Comments

Following the breakup of Fapardokly, guitarist/vocalist/songwriter Merrell Fankhauser and guitarist/vocalist Bill Dodd of the band set off for Los Angeles to pursue a record deal, while band members...

Klemen Breznikar

Human Ottoman at Seaprog 2017 in Seattle Sunday June 4th

June 20, 2017 Uncategorized 0 Comments

Human Ottoman is a prog rock band from Portland who “actively ear-pillage” the Pacific Northwest US. Their lineup features Julian Kosanovic playing cello, Grayson Fiske playing vibraphone, and...

Klemen Breznikar

A Quick Q & A with author Vernon Joynson

June 19, 2017 Uncategorized 0 Comments

Hi Vernon, Congratulations on your newest work, A Melange Of Musical Pipedreams And Pandemonium and thank you for taking the time to answer a few questions for our...

Older Posts

Vinyl of the Day

This is ‘Nebula,’ the latest release from Rumpistol, out now via The Rust Music. Long a favorite of this leftfield electronic label, Danish lifer Jens Berents Christiansen takes a decisive swerve from clubland: less BPM, more G-force. A space-age elegy turned chamber-synth suite, ‘Nebula’ drifts through jazz, ambient, and neoclassical textures like it’s scoring the final broadcast from a mothballed observatory. Shaped in orbit by a live ensemble and visual dreamsmiths, it’s a transmission for headphone cosmonauts… You know those freaks among us who still tune their hearts to the frequency of awe.

Recent posts

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  • Plugged In and Printed Out: Chet Weise on MAANTA RAAY and Third Man Books
  • Pan American & Kramer Unveil Haunting New Single ‘Lamenting The Colors of Ice’ Ahead of Tomorrow’s Album ‘Interior of an Edifice Under the Sea’

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