Acid Mammoth interview
Acid Mammoth was formed in 2015 by Chris Babalis Jr. (Vocals & Guitars) and Dimosthenis Varikos (Bass), good friends since high school, with a deep love for Black...
Klemen Breznikar
Million Brazilians interview
Mysterious Maine-based group is celebrating over a decade of sonic fermentations, ritual rubs and mysterious perfumes. Today they are starting a U.S. West Coast Tour. You are leaving for...
Caedmon interview
Caedmon were a student band without a contract, without rich families to finance projects and, to an extent, outwith the folk rock scene, (in sense of being isolated...
The Comet Is Coming interview
The Comet is Coming to destroy illusions. It will manifest new realities, perceptions, levels of awareness and abilities to coexist. It is a musical expression forged in the...
Snakes Don’t Belong In Alaska interview
Snakes Don’t Belong In Alaska recently released face melting album with the legendary Japanese musician Suzuki Junzo (Miminokoto, 20 Guilders and Overhang Party as well as many solo titles)...
Infinity Forms Of Yellow Remember interview
Infinity Forms Of Yellow Remember recently released debut double LP via Cardinal Fuzz. Rolling in on psychedelic haze of “Strange Flotsam On The Rising Tide”, don’t be fooled as...
Bag of Nails interview
Bag of Nails are a psychedelic Blues-Rock trio from Athens, Greece. They are characterized by their improvisational style and inspired by the classic blues and rock sounds from...
Phil Hayes & The Trees interview
Phil Hayes & The Trees is a band featuring Phil Hayes, Sarah Palin (JJ & Palin, Boytoy, One Sentence. Supervisor) and Martin Prader (Prader & knecht, Howlong Wolf)...
‘Welcome Up: Songs of Space and Time’ by Paul Levinson
Welcome Up is a collection of eight songs that beam you up into a creative galaxy where you take on the persona of an astronaut exploring sonic spaces...
Muriel Grossmann interview
The music you will experience on Reverence is spiritual jazz from the edge of Europe. Reverence sees the same quartet that performed on Grossmann’s previous three releases transform into...