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Klemen Breznikar

Klemen Breznikar

Heirs Of Fortune – “Circus Of Mirth” (2017) review

July 23, 2017 Uncategorized 0 Comments

Heirs Of Fortune - Circus Of Mirth (Counterfeit Records, 2017) Prior to the birth of Heirs Of Fortune, Terry Carolan (vocals, guitar, bass, keyboards, drums) and Robert Woodrich...

Klemen Breznikar

Collector’s Corner: René Debot

July 14, 2017 Uncategorized 2 Comments

René Debot is owning some of the most unique records ranging from obscure experimental music to underground German rock. Do you remember your first record? My first records...

Klemen Breznikar

New Moon Rising – “Bohemia Nervosa” (2014) review

July 13, 2017 Uncategorized 0 Comments

New Moon Rising - Bohemia Nervosa (2014) https://newmoonrising.bandcamp.com/releases Literally stumbling across New Moon Rising’s song “Child Of The Moon”, I was instantly rocked back by this gracious little...

Klemen Breznikar

MSB – “Nope” (2017) review

July 12, 2017 Uncategorized 1 Comment

MSB - Nope (2017) https://brownbass.bandcamp.com/album/nope The appearance of jazz in the early 1900s – with its inconsistency-as-structure whereby uncertain melodic propositions are driven to ideal resolution via brave...

Klemen Breznikar

Jamie & Steve – “Sub Textural” (2017) review

July 11, 2017 Uncategorized 0 Comments

Jamie & Steve - Sub Textural (Loaded Goat Records 2017) Although most people know Jamie Hoover and Steve Stoeckel as one-half of the Spongetones, they also record as...

Klemen Breznikar

Soft as Fire in The House of Love (2016) review

July 10, 2017 Uncategorized 0 Comments

“Soft as Fire in The House of Love” (Blog That Celebrates Itself, 2016) https://theblogthatcelebratesitself.bandcamp.com/album/va-soft-as-fire-in-the-house-of-love House of Love are one of those bands who’s music entered this galaxy with...

Klemen Breznikar

From The Vault: The Optic Nerve – “Lotta Nerve” (1994)

July 9, 2017 Uncategorized 0 Comments

A great band too many folks have never heard of ... For more reasons than I can count, it’s nearly impossible to realize that this album burst on...

Klemen Breznikar

Daybreak – “Daybreak” (1971) review

July 8, 2017 Uncategorized 0 Comments

Daybreak - Daybreak (Gear Fab Records, 1971/2017) Operating out of Pearl River, New York, Daybreak came together in 1969. The band played local gigs to enthused audiences, and...

Klemen Breznikar

“Blues Rock Festival”/“Beat Club International” (1970) review

July 8, 2017 Uncategorized 0 Comments

“Blues Rock Festival”/“Beat Club International” (Gear Fab Records, 1970/2017 reissue)  Exploitation albums were the underground of the underground. Pressed in miniscule quantities on vanity labels, these offerings were so...

Klemen Breznikar

Temples – “Volcano” (2017) review

July 7, 2017 Uncategorized 0 Comments

Temples - Volcano (Fat Possum Records, 2017) There’s no way I’m saying that the music found within the grooves of Volcano isn’t good, what I am saying is...

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Vinyl of the Day

Gus Baldwin crashes through ‘The Sketch’ (Permanent Teeth Records) with acid-fried riffs, garage, and Texas soul. An ex-hippie and part-time punk, he’s blazing his own path in the next wave of rock and roll.

Gus Baldwin & The Sketch | Interview | New Album, ‘The Sketch’

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