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It's Psychedelic Baby Magazine

  • Interviews
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Klemen Breznikar

Klemen Breznikar

Chatham Rise – “Meadowsweet” (2018) review

May 2, 2018 Uncategorized 0 Comments

Chatham Rise - Meadowsweet (Picture in My Ear, 2018) https://pictureinmyearrecords.bandcamp.com/album/meadowsweet-2 Once again we find Chatham Rise breathlessly breezing into our subconscious with an ever present sense of longing...

Klemen Breznikar

The War on Drugs – ‘Rough Drafts (2014)

May 1, 2018 Uncategorized 0 Comments

Released in November of 2014, 'Rough Drafts' epitomizes all that’s wrong with the those who ‘collect’ and don’t play the music. Consisting of two differing versions of previously...

Klemen Breznikar

Mouth – “Floating” (2018) review

April 29, 2018 Uncategorized 0 Comments

Mouth - Floating (Tonzonen Records, 2018) https://mouthprog.bandcamp.com/album/floating Mouth is a 3 piece German band. They’re a bit different from other groups released on this great label. The album...

Klemen Breznikar

The Cameramen – “Welcome To Sunken City” premiere

April 28, 2018 Uncategorized 0 Comments

Welcome To Sunken City was recorded in the Lower East Side of NYC late 2017 by The Cameramen. The album was produced by Todd Perlmutter who also is...

Klemen Breznikar

Love – ‘Forever Changes’ (50th Anniversary Edition)

April 26, 2018 Uncategorized 1 Comment

November 1, 1967 marked the release of the third, and final, LP by the original lineup of L.A. psychedelic folk rock legends Love, the band’s magnum opus 'Forever...

Klemen Breznikar

The Mosaics – “Elephant Song” premiere

April 26, 2018 Uncategorized 0 Comments

THE MOSAICS are a genre-bending band of kaleidoscopic proportions. The seven-piece group hails from the sun-glazed city of Los Angeles, where they create an wide range of neo-psychedelic...

Klemen Breznikar

Lucifer Was interview with Thore Engen

April 23, 2018 Uncategorized 0 Comments

From left: Thore Engen (guitar), Dag Stenseng (flute, vocals), Anders Sevaldson  (flute, backing vocals, saxofon), (back) Kai Frilseth (drums), Einar Bruu (bass)  and Jon Ødegård (organ). Lucifer Was...

Klemen Breznikar

Bennett Wilson Poole – “Bennett Wilson Poole” (2018) review

April 23, 2018 Uncategorized 1 Comment

Bennett Wilson Poole - Bennett Wilson Poole (2018) Robin Bennett, Danny Wilson and Tony Poole make up a super group of sorts, reaching back into the early 1970’s...

Klemen Breznikar

Ultimate Painting – “Not Gonna Burn Myself Anymore” (2018) review

April 23, 2018 Uncategorized 0 Comments

Ultimate Painting - Not Gonna Burn Myself Anymore (Bella Union, 2018) This is a sonically infectious drifting neo-psychedelic blues laden single, one laced with understated hooks, sidewalk swagger, and...

Klemen Breznikar

Kontiki Suite – “The Greatest Show on Earth” (2015) review

April 19, 2018 Uncategorized 0 Comments

Kontiki Suite - The Greatest Show on Earth (2015) https://kontikisuite.bandcamp.com/album/the-greatest-show-on-earth The Greatest Show On Earth is Kontiki Suite’s second formal album, with some of the material being available in...

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Vinyl of the Day

‘American Standard’ is packed with catchy hooks and that smooth southern post-grunge vibe that made Seven Mary Three stick out. From ‘Cumbersome’ to ‘Water’s Edge,’ this Music On Vinyl reissue sounds awesome. Classic ‘90s stuff you gotta have.

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