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It's Psychedelic Baby Magazine

  • Interviews
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Klemen Breznikar

From The Vault: Don Shinn – ‘Takes A Trip’ (1969)

January 9, 2017 Uncategorized 1 Comment

Sometimes, at the oddest moments, I find myself thinking of Don Shinn, and wondering what he’s doing today. It would be easy to say that Don Shinn was...

Klemen Breznikar

JAZZ CORNER Presents: John Coltrane – A Love Supreme (1965)

January 7, 2017 Uncategorized 0 Comments

     A Love Supreme is a very special album, even in the large scope of John Coltrane’s work. Bearing resemblance with the post-bop style of its time,...

Klemen Breznikar

‘Bed Of The Earth’ by Holy Monitor

January 6, 2017 Uncategorized 0 Comments

Exclusive track premiere of 'Bed Of The Earth' by Holy Monitor. Holy Monitor is a music collective that blends space rock with repeatable psyched riffs & beats and ambient...

Klemen Breznikar

Ross Beattie presents It’s Psychedelic Baby podcast #10 (January)

January 3, 2017 Uncategorized 0 Comments

A brand new podcast hosted by Ross Beattie (The Night Tripper) Kaleidoscope - Music Gong - Fohat Digs Holes In Space  Creme Soda - Numero Uno Matching Mole...

Klemen Breznikar

Psychedelic Attic #26

January 3, 2017 Uncategorized 0 Comments

A huge attic of latest arrivals to end 2016. You might find some very interesting albums. Enjoy browsing through it. Vinyl Sub Pop Records Arbor Labor Union Kyle...

Klemen Breznikar

Story behind making of Acoustic Didge Drum Bass by The Katamaran

January 2, 2017 Uncategorized 0 Comments

     I had just quit playing bass in the John Butler Trio in late 2001 and was living in my van between Melbourne and Byron Bay. I...

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Vinyl of the Day

In Shelley Burgon’s ‘The In Between,’ a single concert harp becomes a world, as its unamplified strings and the fading light of an Ojai day intertwine, crafting an intimate conversation between music, memory, and the unfolding sounds of the natural world. This singular vision, released by The Black Editions and Thin Wrist Recordings, feels like a profound and human surrender to the inherent beauty of a moment, captured exactly as it was.

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