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Paul Butterfield Blues Band – The Paul Butterfield Blues Band (1965) review

July 21, 2013

Paul Butterfield Blues Band – The Paul Butterfield Blues Band (1965) review

Paul Butterfield Blues Band – “The Paul Butterfield Blues Band” (Music On Vinyl, 2013)
Seen in context, this is the album that,
way back in 1965, brought the sound of the blues and that of R&B – from the
perspective of the club scene operating in the wilder parts of Chicago – to the
many, mainly, white ears (to borrow a phrase from The Clash’s many years into
the future nugget ‘White Man In Hammersmith Palais’) who wanted to listen in,
or at least wanted to check out just what was that electrifying sound that lots
of folks were beginning to cotton onto; in light of the ongoing success of British-based
acts like the phenomenal Rolling Stones, Animals and Yardbirds who had been at
pains to give recognition and heap praise upon the original American blues
players and writers. So anyway, Butterfileld’s Blues Band were formed around
harmonica man and lead singer Paul Butterfield, and his guitarist friend Elvin
Bishop, persuading some of Howlin’ Wolf’s rhythm section,including drummer Sam
Lay, to join them for some live club gigs. It’s said that Paul Rothschild of
Elektra records saw them and swiftly signed them on board. These were the first
results of a career that lasted until 1971. The bulk of the lead guitar parts
on this debut album, however, were played by new recruit Mike Bloomfield, with
Billy Davenport substituting for the ailing Sam Lay, but, nonetheless, what
they produced back then hinged upon a fairly robust round-up of such classics
of the genre that included the likes of ‘Mellow Down Easy’, ‘I Got My Mojo
Working’, ‘Mystery Train’ and ‘Shake You Money-Maker’. Although if I’m being
honest , and despite the virtuosity on display, especially the obvious skills
of Bloomfield – although I find he overplays sometimes and can be far too
overwhelming and bombastic at times – I’d say these are, on the whole, pretty
non-extraordinary interpretations compared to some scorching versions heard
over the years: The Misunderstood, The Druids of Stonehenge and a few more
names besides… ; but that’s what I was meaning earlier about putting things
into context …
In addition to these mostly up-beat
selections, there are some items of the torturous ballad variety also in
evidence, foremost among them ‘Last Night’ and ‘Blues With A Feeling’. For
sheer harmonica joy and guitar enlightenment, however, I’d perhaps pick
‘Screamin’ and ‘Our Love Is Drifting’ over any others.
For better or worse, the Butterfield’s
definitely pointed the way forward a lot of the time, their song selections
wrapped in a great, raw sound blanket, through which one can easily catch a
glimpse of the future in some of the extended, San Francisco ballroom-style
guitar heroics that occasionally and insidiously slide into the mix. But tiny
portholes into what would constitute some strands of US psychedelia aside, I’m
still not all that convinced, and find a lot of what’s on offer just that little
bit too, dare I say it, pedestrian. Maybe I’d change my opinion on another day,
perhaps while listening on a cold winter’s night, but at present, on a sunny
summer morning…
Review made by Lenny Helsing/2013
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http://psychedelicbaby.blogspot.com/2013
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