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It's Psychedelic Baby Magazine

  • Interviews
  • Reviews
  • Articles
  • Premiere
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      • Hi-Fi Series
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      • From The Vault
      • Press
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  • Interviews
  • Reviews
  • Articles
  • Premiere
  • Vinyl of the Day
  • About
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  • Podcast
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      • Hi-Fi Series
      • Jazz Corner
      • From The Vault
      • Press
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Klemen Breznikar

Forq | Interview | “We are at our best when we can express our humanity”

October 12, 2024 Uncategorized 0 Comments

Forq is a dynamic jazz fusion ensemble known for its groove-centric, improvisational approach, blending intricate melodies with driving rhythms. Formed by keyboardist Henry Hey and Snarky Puppy’s Michael...

Klemen Breznikar

‘Can’t Seem To Come Down: The American Sounds of 1968’ (2024)

October 12, 2024 Uncategorized 0 Comments

In its follow-up to ‘March Of The Flower Children: The American Sounds of 1967’ Grapefruit Records has issued a four hour, three disc box set titled ‘Can’t Seem...

Klemen Breznikar

Revisiting the French Noise Scene of the 90s: Insights from the Upcoming ‘France Noise 90’ Compilation

October 11, 2024 Uncategorized 0 Comments

'France Noise 90,' an eagerly anticipated compilation curated by Yves-Marie Mahé and set for release by Jelodanti Records on October 22nd, provides an insightful exploration of the often...

Klemen Breznikar

Satan’s Satyrs | Interview | New Album, ‘After Dark’

October 11, 2024 Uncategorized 0 Comments

Satan’s Satyrs have crawled back from the depths with their fifth studio album, 'After Dark,' proving that their raw, scuzzed-out charm is as unkillable as ever. Teaming up...

Klemen Breznikar

Goat | Interview | The Endless Cycle of Goat’s New Album

October 11, 2024 Uncategorized 0 Comments

The Swedish collective Goat is back with their latest self-titled album, a captivating sonic journey that highlights their distinctive fusion of psychedelic rock, tribal rhythms, and an eclectic...

Klemen Breznikar

‘F***you:you’ by GINA ÉTÉ | New Album, ‘Prosopagnosia’

October 11, 2024 Uncategorized 0 Comments

Swiss artist GINA ÉTÉ unveils 'F**you*,' the bold first single from her forthcoming album 'Prosopagnosia,' set for release in February 7, 2025. This track is more than just...

Klemen Breznikar

Lazy Day Drops Music Video for ‘Getting Good’ Ahead of ‘Open the Door’

October 10, 2024 Uncategorized 0 Comments

Lazy Day releases the music video for 'Getting Good,' a track from their upcoming album 'Open the Door,' set to be released via Brace Yourself Records. As we...

Klemen Breznikar

Gandalf | Interview | Extremely Rare Private Press from Sweden

October 10, 2024 Uncategorized 1 Comment

From Uppsala emerged Gandalf, a progressive powerhouse born in the mid-70s in Sweden. Their self-titled album, 'Gandalf,' originally released in 1977, is now receiving a long-awaited reissue from...

Klemen Breznikar

Gordon Bok | Interview | “I’ve spent much time among maritime people, absorbing stories and experiences”

October 9, 2024 Uncategorized 0 Comments

Gordon Bok is a distinguished American folk musician and songwriter born in Pennsylvania in 1939, who has spent much of his life immersed in the maritime culture of...

Klemen Breznikar

Lewis Gill | Interview | New Album, ‘Redeemer’

October 9, 2024 Uncategorized 0 Comments

Lewis Gill is a multifaceted composer whose work seamlessly blends elements of the Darmstadt School and American minimalism, creating a distinctive musical atmosphere. Influenced by the 1970s progressive...

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Vinyl of the Day

Recorded in 1973–74 and issued in 1975 on Movieplay’s Gong series, Eduardo Bort’s debut marks its 50th anniversary (Guerssen) as a distinctive Spanish prog record, built on his extended guitar work, Mellotron-backed arrangements, and a band sound that gets quite spacey. It was likely an influential record for Spanish hippies in the ’70s, at a time when things were still tightly controlled. Essential from the Spanish underground and one of the strongest psych/prog releases, with a cover that perfectly matches the music, what you see is what you get.

 

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