Jacula interview with Antonio Bartoccetti
Interview made by Klemen Breznikar/2011
Interview made by Klemen Breznikar/2011
This man is a total liar apparently…
In cauda was simply released in 2001, it may be true they wrote some of the songs back in the day but it never has been released in 1969… The band wasn't even formed at this date.
There's a lot of people who searched explanations about this record, and there's answers that has been found, nobody has ever seen the original LP, nobody own it, the band was totally unknown in 1969, and most of all, comparison with Van Der Graff Generator's "Pawn Hearts" (1971) reveals that "In Cauda"'s lyrics are none other than an italian translation from the English band. Putting to comparison the release dates you should draw quite an obvious conclusion.
That's the most brilliant musical hoax ever.
What is the problem with my previous comment? Why have you deleted it? I think I didn't make any offense, I only said that I'm surprised you didn't made the question all Jacula's fans (like me) want to know.
this Anonymous is full of horsebleep. I bought the cd of the first lp for my radio show back in the mid 90s off of a dealer who actually had the original vinyl.
Psychedelic Pete. Do you (or know anyone who) have the original 1969 "In cauda semper stat venenum" LP? Please make photos to it and post them here, you can be the first in the world and History who show us the existence of this album.
Guitar distortions on ICSSV album still didn't exist on 1969.
The Jacula/Antonius Rex story is almost certainly a hoax, for the following reasons:
(1) None of the "disputed" albums ("In Cauda Semper Stat Venenum", "Neque Semper Arcum Tendit Rex" and "Praeternatural") sound like they were recorded between 1969 and 1980. They are modern progressive metal, complete with programmed drums.
(2) None of these albums sound anything like the LPs that were actually released in the seventies ("Tardo Pede In Magiam Versus", "Zora" and "Ralefun"), none of which have any metal elements whatsoever.
(3) They do, however, sound very similar to one another — probably because they were recorded right after one another in the early noughties.
(4) Not a single copy of any of the disputed albums has ever been offered for sale or is in the possession of any known collector. This simply *never* happens, no matter how rare a rock LP. A "white label" "original" copy of "Tardo Pede…" was once offered, at a huge price, on eBay. When I contacted the seller, he said that he was a friend of the band and had no idea whether what he was selling was authentic. He sounded very embarrassed about the whole thing.
(5) The band later changed their story about the white label, claiming it was remixed and repressed in 1981 in the Ukraine by a band associate. The Ukraine? It was part of the communist USSR. You couldn't simply have wandered into a studio and pressing plant with a tape of an obscure Western underground band and asked them to run off 100 copies.
(6) I have another mutual friend with the band, who has described them as "compulsive liars".
(7) Charles Tiring was supposedly 68 when he recorded "Tardo Pede…" (and had allegedly just married an 18-year-old). According to the band, he died in 1979 (in mysterious circumstances, of course). Yet the band credited him as keyboardist on the (supposedly) 1990 recording "Magic Ritual", indicating they can't keep track of their own claims.
(8) Drummer Albert Goodman was supposedly an English nobleman with his own castle; he was allegedly murdered in Slovenia (which didn't exist at the time) in 1978. Allegedly he had contacts with the Italian branch of Vertigo, which was planning to issue "Neque Semper…" back in 1974, but they refused because they considered the cover and the lyrics to "Devil Letter" too controversial. The cover isn't controversial and occult rock was huge at the time, so this seems extremely unlikely.
(9) "Praeternatural" credits Doris Norton with "Fairlight CMI". How would Bartocetti and Norton have got their hands on such a rare and expensive piece of kit back in 1980?
(10) The final smoking gun: Norton's solo album "The Double Side Of The Science" (1990) includes a discography in its booklet, complete with inflated collectors' prices for all her releases. None of the disputed albums is mentioned (and neither is her non-existent solo "debut" "Under Ground") as the band hadn't made them yet.
Anthony Bartocetti’s strategy of creating a grandiose and fictitious history for Jacula provided the promotional template for another Gothic progressive band from Italy.
GREAT, a myth!!!