‘Witchi-Tai-To’ by Biologica
Chicago-based musician Biológica releases ‘Witchi-Tai-To.’
Amongst many of life’s core questions, one of the most fundamental and awe-inspiring is, “Well, how did I get here?” While the warren of answers contains infinite paths and dreams in all possible directions, the more direct “who brought me here?” is the most personal origin story. Knowing your family and how their relationships formed to create you and bring you to the spot where you currently are pondering these questions can bring you great peace and vital context if you maintain an open mind with the world around you – a world full of people wondering the same thing. Without trying to get too much more philosophical and editorial, the goal of such exploration should lead you in a direction where you better understand yourself and those around you, allowing for greater compassion and empathy for everyone. This type of exercise is embraced in this new interpretation of Jim Pepper’s ‘Witchi-Tai-To’ by Biológica.
Chicago-based musician Biológica draws from a wellspring of diversity in musical styles, primarily focusing on neo-soul, jazz fusion, electronica, and Latin-inspired grooves, fully embracing and exploring her Latin and mestiza heritage, much like how Jim Pepper took jazz and combined it with his Native American heritage. In a similar nod, on her measured interpretation of ‘Witchi-Tai-To,’ Biológica deftly combines her own culture both past and present by reforming this track into a completely new soundscape. While the song begins similarly with her own citation of the ubiquitous chant, ethereal pads and sweet strings slowly soak into the background before steady shakers and traditional percussion carry the meditation forward. Things swell to a soaring climax quickly as electric guitar, bass, and drums enter, taking the listener on a transient trek that feels like floating into the sky. Much like a traditional powwow, the rhythms intertwine with each other to guide the journey – the bass moves around like a tribal dance while the frantic percussion drives and lifts the spirit. Biológica’s voice serves as a guide throughout, her peaceful humming and continued chanting solidifying the ceremony.
Unlike the original Jim Pepper extended jam, this re-interpretation is rather short, clocking in at just over two-and-a-half minutes, more in line with the Harpers Bizarre version. It would not be farfetched to guess that Biológica has plans on expanding this performance live; word around the way says she plans on getting the band back together. With the possible return of Biológica y Su Combo later in the summer around the Chicagoland area, we can expect more vivacious visions combining classic songs with her own musical and cultural influences. Until then, we are all invited to reflect on the meaning of ‘Witchi-Tai-To’ in its plain modern English meaning: Enjoy the good vibes while they’re here, to be alive and present in the moment.
What stood out to you about ‘Witchi-Tai-To’ to inspire you to re-imagine it in your own unique way?
What was really clear from the first time I heard the Harper’s Bizzare version, was that it did sound like a traditional chant in terms of the isolated vocals. I also liked how lighthearted and uplifting it felt. We used Harpers Bizzare version as inspo. Although I did listen to alot of other versions and did my homework of listening to Jim Harper’s original track and old recordings of actual tribal chants from the same region. A lot of Native American history has been erased so I think any opportunity to make it present is great.
How has your mestiza heritage impacted your art as you’ve progressed as a musician?
I try to prioritize projects that amplify my heritage. Specifically as a musician, I see how my dad continues to play shows in Mexico that keeps a very old tradition alive (estudiantina/tunos) and that inspires me to do projects like ‘Witchi-Tai-To.’ Many Mexicans are mestizo but it’s something my family never looked more into because we are mixed ethnically. Since there isn’t much recorded history beyond my great grandparents I am seeking answers. The DNA test showed north and central Native American but I don’t think I’ll ever really know what tribe I have as ancestors exactly. So, naturally northern Native American culture interests me and this type of work has been falling on my lap. Kairiko actually introduced me to this song, I’m happy.
How does the live show change the music you’ve created in the studio? Do you tend to focus on the moment or the message?
In terms of performing, focusing on the moment is the way to go. I like going to jazz jams and you have to be on your feet. But in the studio I like working with people who are sensitive and are okay with taking their time. I do think message is important but feel is even more important.
If you could collaborate and/or perform with any current musician/group, who would it be?
Pedro Martins!!
If you had to start over from scratch without any of your instruments or gear (minus a computer), what would you buy first?
Dang hmmm I would say a nice acoustic electric guitar or maybe even a jazz guitar Because now I feel pretty capable on the guitar and I realize how much of a difference it makes when you have a high-quality instrument. I think my favorite part of music is singing along and guitar is perfect for that
Biológica Official Website / Instagram
