Orpheus interview with Bruce Arnold

December 25, 2014

Orpheus interview with Bruce Arnold

Orpheus – circa 1969 (pictured from left to right: Harry
Sandler, Bruce Arnold, Eric Gulliksen, Jack Mckennes)
Founded back in mid-60s the group evolved from duo of Bruce
Arnold and Jack McKennes and managed to release four albums and five
singles. They were signed by MGM and Bell Records. They were quite big in their
time and shared stages with popular acts, including Janis Joplin,
The Who Led Zeppelin and many other. Orpheus music has been used in various projects. Band is still going strong after so many years and they are again together performing. Here’s our
interview with member of the band, Bruce Arnold.
You were from Worcester, Massachusetts. What was happening
in the ’60s in your town?
Worcester was at the cusp of change, like many cities in the
60’s. Young people were at the tip of the change, bringing art and music and
social change. We didn’t know it at the time, though.
Bruce Arnold and Jack McKennes formed a folk duo called The
Villagers. What’s the story behind? How did you two meet?
We were two young folkies who wanted to play with everyone.
We discovered that we had a special blend of our voices that set us apart.
Another goal we had in common was that we both wanted to play music and live on
the beach at Cape Cod every summer. We found plenty of places that would give
us a chance. It was the best of times.
What influenced you when starting a folk duo?
We loved all music but the precision music we heard in the
folk scene really appealed to us. So we made our own arrangements of those
songs. We had a unique approach to song choices. We opened the old music up and
wrote new tunes, too. I am a big fan of new folk music.
You slowly gained wider audience by performing at venus such
as the Loft, the Odyssey, the Unicorn, and the Pesky Sarpint.
That’s right. First, we would play at the open mike night,
then they would hire us right away. At our final Unicorn performance as
Orpheus, there were 400 people inside and 1000 people outside trying to get in.
A bit later you added a bass player, John Eric Gulliksen and
a drummer, Harry Sandler. What triggered this change from folk duo to quartet?
The Beatles.
Bruce Arnold – circa 1967
How did you settle upon a name ‘Orpheus’?
We wanted to have a name already chosen before we went to
New York auditions in hopes that companies would not stick us with a horrible
name. I remembered that the demi-god Orpheus was a renown musician and so we
chose that. The only negative thing about the name Orpheus was that it is hard
for Northeasterners to pronounce.
You recorded some material and after awhile pretty well
noted arranger Alan Lorber got interested. You signed for MGM and started
recording your first album. Where was it recorded and what kind of gear did you
We first recorded at Bell Sound in NYC, a state of the art
studio for the time. I believe we had four tracks. We moved around after that
but Bell was really the best studio sound of all. Later at A&R studios they
still weren’t quite at home with multi track recording. They actually had 8
speakers on the wall…one for each channel. 
Bruce Arnold – circa 1968
How was it to work with Lorber?
Alan and I got along great. 
We often got together to work on orchestration. He really liked the
music. He feels that Orpheus was definitely his crowning achievement.
You played some
promotional shows in Chicago, Detroit, and Philadelphia and then you opened for
Cream at Brandeis University. What can you say about this? 
We welcomed all the gigs we could get. We were very lucky to
have caught on.  No one knew what to
expect in those days.  There were no
genres. It was as though all music was being played at once from Arlo to Zappa.
Your next release was an album titled Ascending, which is
quite different. Can you tell us what’s the story behind making this album? 
Yes. Two weeks. We did not have the luxury of 20 years
preparation like we did for the first album.
What can you say about the material, that appears on the LP?
We had to come up with everything we could find to fill the
album because we were between tours and only had two weeks of studio time. I
was writing on the road but not enough for a whole new album. So we chose from
among songs that I wrote when I was 18 or 19 with some jug band and banjo music
thrown in.
Then, unbeknownst to us, 
the recording was sped up by MGM, apparently to make us sound younger
(agism?). It took me a long time to figure out why I didn’t like that record.
It’s only now, as we play live around the country, that you  can hear what those songs were really
supposed to sound like.
It turns out Ascending was a big hit in L.A. art schools
when it came out. The fellow who designed all the 1970’s Lincoln, etc,
contacted me to tell me how much “Just A Little Bit” meant to
Two more albums followed; ‘Joyful’ and ‘Orpheus’. How were you
satisfied with them?
Those were more thought out and integral. I stopped taking
booking at clubs and parties and concentrated on colleges and music festivals
because it gave me more time to compose. Joyful was a good album. We expanded
the role of the “rock band” within a full orchestra. The fourth album
was more about having a good time. Those musicians are the Orpheus members I
still play with today; Bernard Purdie, Howie Hersh and Elliot Sherman.
Beside aforementioned Cream you also played with some really
big names like Janis Joplin, Led Zeppelin, The Who etc. Is there a certain
moment or story you would like to share about that?
They weren’t the revered groups that they are today. They
were just kids, like us. We rode from Washington to NYC with The Who in their
Magic Bus. It was everything you can imagine and more with John, Roger and Pete
didn’t come on the bus…he flew to NYC. But the rest of us settled in for a
great ride.
What happened in the ’70s, that stopped you playing
Orpheus never stopped playing, we just constantly added new
members. We have been a band of transients. The latest erstwhile member is
Cliff Goodwin, who played slide guitar solos at our last show. Our CD Orpheus
Again tracks us over the years and to Skywalker Ranch where we were invited to
produce the album.
Were you active in any other bands or as a studio musicians?
I produced several records including one for Smithsonian
Folkways, which has just been re-released (Marcus Uzilevsky – A Pilgrim’s Son). I helped many young folks get their music
recorded. I worked on developing a record label for George Lucas and many other
projects. Though I generally prefer doing my work unobserved, it’s great fun to
meet people who have been fans for decades.
After more than 40 years Orpheus is resurrected. Why?
My plan was to make a few hit records and then wait 40
years….no, I simply felt like doing it now. We all did. Right now there’s
plenty of room for Orpheus! Music has come around to our way of thinking.
(Pictured from left to right: Bruce Arnold, Elliot Sherman,
John Arnold, Howie Hersh, Bernard Purdie)
How is it to be on stage again as Orpheus?
It’s fantastic! We never drop a stitch. That’s what I have
always wanted. This is really Orpheus at it’s best. Now that we are touring I
have been writing new songs for the band as it is today. That means great
rhythm and bass parts. And since my son John joined in we also have the
tightest vocal harmonies.
Orpheus Concert Poster (Berklee Performance Center, October
12th, 2014)
Where all did you tour and what are some of your plans for
the future?
We recently did four gigs in Massachusetts and have started
our tour of California with a performance at the Marin County Fair. We have
plans to play in LA and San Francisco in the near future.
Is there any chance for a new album?
We released Orpheus Again in 2010. It’s available at
www.cdbaby.com/cd/brucea. But we are now putting together the recordings of our
live shows for a new CD/DVD. We do all the original songs with a full orchestra
when we play live. 
Orpheus performing with Massachusetts Symphony Orchestra
conducted by Tiger Okoshi at Mechanics Hall, May 9th, 2014
Thank you for taking your time. Last word is yours. 

We have
a long history in the music world but I am always gratefully amazed when we get
requests for interviews, etc. It’s a part of the business I have really come to
enjoy. Thank you for this opportunity.
Orpheus before their performance at the Marin County Fair on
July 3rd, 2014.
(Pictured from left to right: Bruce Arnold, Elliot Sherman,
Bernard Purdie, Howie Hersh, John Arnold)
Interview made by Klemen Breznikar/2014
© Copyright http://psychedelicbaby.blogspot.com/2014
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