September 11, 2014


Metabolismus & Jooklo Duo (Petit Festival, 2013) 
Being a music journalist is always so thrilling, especially
when you come to the end of the road and all of the sudden you find a
mysterious weird looking street and after catching breath you decide to turn in
and try your luck. Awhile back I discovered “Terra Incognita” while
drinking beer in a bar and handling some weird looking records with my friends.
I found the cover artwork somehow interesting and decided to try them out. I
was absolutely amazed, because I knew the band was recording this in the late
’90s, but they sounded like Faust mixed with Popol Vuh in the early ’70s and
because of it I started looking for more and soon I found out, that they
released quite a few albums in 1993. There wasn’t much information available
and like always when I find something interesting I decided to contact some
members of the band. They apparently started in the early ’80s with a concept
of musical collective rather than a regular band. I spoke with Werner Nötzel
about doing an interview and he replied, that straight forward interview is not
possible, because there is not bandleader and every member can spoke only
about their own experience of being part of Metabolismus, but still they were
kind enough to help me with some facts about collective.  Some questions were answered by: Thomas
Schätzl, Moritz Finkbeiner, Samara Lubelski, Hans Pfanz and Werner Nötzel.
Metabolismus & Jooklo Duo (Stuttgart, 2013)
Metabolismus could be seen as a self-organizing system
characterized by a principle of perpetual transformation. Depending on which
sub-constellation of the metabolic microcosm you’re dealing with it would be
different people that you’d have to talk to. Over the 30+ years that
Metabolismus has been around now the organism/system simply grew too complex to
be narrowed down to one aspect/interview partner. We therefore prefer to let
the music speak for itself…
Therefore we can conclude that they are a musical art
commune of people, organisms that form the body or in their case the
improvisations they are producing. Still I wanted to learn more about this art
commune like organism called “Metabulismus”, that formed as early as
in 1981 and had variety of changes and try to get back in contact and get some
answers from whole collective.
Early years
Who originally got an idea to
form Metabolismus and how did the early ’80s looked like?
Moritz: No idea. I was in
elementary school in the ’80s and hated it.
Werner: That would have to be
Hans Pfanz, or possibly Thomas (Schätzl). The early ’80s, in my memory at least, looked &
felt shitty. Music was a form of escapism, among other things… The same old story of
any generation ever, I guess.
Early Metabolismus – Thomas Schätzl, Ponti Brückner
Were you at the very beginning
like a regular band or how do you see yourselves and who 
were members?
Thomas: We were, are and will
forever be more than several regular bands.
We are wonderful, dangerous,
confusing or whatever you like.
We were born out of time as
musical terrorists dropping tapes, vinyl `n lots of soul instead of
Our psycho terror entertainment
will save you boring bastards from your life of grey…
Moritz: I was a toddler, not a
Werner: In the beginning the band
was without form and void… Then there were parallel bands, sub-constellations,
transmutations, shape shifting, involvements in other projects, and side & solo-projects from
very early on, like Metabolismus II, Metabolismus HK, Metabölisti 38, Punisher, Pig Farm, Stalker,
Cox Orange, Finkbeiner Echo Quartett, Innu Beddo, Prairie Magoos, The Sounders, Yürgen Karle
Trio, Weevil, T.A.S.K., Ditcher, Professor Kopf Band & many many more, and most of them
actually recorded, though not everybody released their recordings…
Early members were Thomas
Schätzl, Jochen Flogaus, Georg Wiedmann, Hans Pfanz, Walter von Holst, Michael
Bussmann, Maldoror, Uwe Rotthaus, Ingo Birkmayer, Michael Paukner, Ponti Brückner, Andreas
Pintore, Miss M…. Then a 2nd wave with Dietmar Köhle, Joachim Schütz, Werner Nötzel,
Thilo Kuhn, Samara Lubelski, Martin Verguliak, … and so on until today. More names along the
way: Moritz Finkbeiner, HansJörg Greiner, David Knispel-Kiwus, Ina Saussele,
Julian Ripert, Robert Steng, Dario Lehner, Alb Ra, Werner Voran, Björn Luchterhand, Stefan
von Raben, Diana Schulze/Denboer, Phillip Korda… – too many to list them all, and I’m
sure I would be forgetting a few.
Were you living together in
Werner: Not exactly, many players
at the time were small town/country folk from various villages around Göppingen, which
is about 40 km outside of Stuttgart.
Samara: At the end of ’91 I had
split NYC for an unknown period and was making my way to Spain via a car waiting for me in
Süssen, Germany. I broke the clutch of that car almost immediately, and spent the end of
the year holidays there while it was repaired. It was a small town and I was playing with Jojo
(Joachim Schütz) and Werner (Nötzel) within weeks – late nights at the Ebersbach rehearsal
space, free playing. I didn’t speak German and had no idea what was going on. I was
immediately enchanted.
What did the collective do in the
’80s and are there any recordings until the very first official release in 1991?
Werner: Sure, early recordings
were done ping-pong style with two cassette recorders bouncing off each other, then
came the 4-track cassette period which resulted in a string of about 30 self-released cassette
albums. We made up labels for them like “Bolametismus tapes & records” but
obviously we copied them ourselves and sold them to friends & on concerts.
Moritz: There are many many tape
releases before the official release in 91 which is mainly compiled from before released
Is there a possibility to tell us
about the record labels, that released your music. I noticed the name Moonflower, Swamp Room and a
bit more well known Amish Records. To me it seems, that this was totally DIY
project and I find it very interesting, that all of your releases from the very beginning were
released on vinyl with a few exceptions.
Moritz: Back when most of the
releases came out, it was far from interesting releasing on vinyl. It was quite normal. And
being very conservative, we simply stuck to that until today.
Werner: You got a wrong
impression here, we didn’t start with vinyl but did a lot of cassette releases first, and are still
doing them today… There’s actually way more cassette releases than vinyls. It was such an
obvious thing to do in the ’80s, the direct, hands-on approach: it was cheap, anybody could do it
themselves, and you didn’t have to have large editions, whenever somebody wanted a
cassette you’d just copy one and sell it… Very appealing, even today if you want to keep things
analogue. So this answer leads back to the last question. 
Dietmar Köhle shooting overdub at Sumsilobatem
Yes, it was a total DIY operation
in the cassette days, and even though we work(ed) with different labels it pretty much
still is. We do almost all of our recordings (besides, obviously, live- & field-recordings) in
our own studio (Sumsilobatem) and still release them on cassette tapes. But back in the late ’80s:
we thought it would be time for a vinyl LP, but had no idea about the actual process, or any
money to pay for it. So we made a “demo” tape, which was kind of a
“best-of” compilation of our previous cassette releases and sent it
out to a bunch of “indie” labels – with
no success at all. Nobody was interested until I had the idea to send one to Jürgen Gleue of 39 Clocks, who
at the time ran Swamp Room Records. The 39 Clocks were one of our favourites and a
big influence for me. It’s actually a funny story, I was having lunch at my grandmother’s place
when the phone rang, and it was JG39. He liked the “demo” so much he got my mom’s phone
number from the book, called her, and she gave him my grandmother’s number… So he was
an early supporter and I want to thank him for that! He released the first LP Azzafatazzam which is basically a compilation of cassette
recordings, which also led to contributions
to the “Swamp Room Happening” compilation LP series. After having figured out the technical
side of doing records we released a couple of vinyl ourselves, mostly 7″es. It
was probably the influence of Alan Jenkins (another of our “heroes”) who we talked
to after a Ruth’s Refrigerator show. He said that cassettes are nice, but he’ll recommend just doing
vinyl ourselves right away… The name “Moonflower Records” was picked for that. Some
Metabolismus members were (and still are) Deadheads, so the whole idea & name was loosely
modelled after the Dead’s “Sunflower” label (“Azzafatazzam” is a pretty obvious nod to
“Aoxamoxoa”, and then there’s our “Anthem of the Moon”
Around that time Samara
(Lubelski) became a part of Metabolismus while spending some time in Germany, and when some of
us visited her in New York in the mid ’90s we met Matt & Brian from Amish Records who were
friends with her. They did several Metabolismus US releases since, we still work
with them and they were very helpful over the years. We’re actually currently working on a
new vinyl project with Amish called “SuS” which should be out very soon. And I’d like to
mention Scott Derr, who did the very first American LP Terra Incognita on his label
BlackJack Records.
You were also working with Kim
Fowley in the past?
Moritz: On the Kim Fowley &
Metabolismus EP it says so…
Samara: I just know that in Kim’s
hotel room he had sung for Werner to play the solo and Werner had choked. In what seemed
like a clandestine act, Werner had me overdub on the violin at a later date.
Werner: “Working”
together would be saying too much. We recorded with him after basically ambushing him. He’s truly great!
A pretty detailed account of the whole thing can be found
Werner Nötzel, Kim Fowley – in mirror Thomas Schätzl,
Andreas Pintore
What’s the spirit, concept behind
your musical collective?
Thomas: Access denied, however we
sell soul.
Werner: “We don’t give a
fuck.” Or to say it more politely: “Anything goes” might be a
good one, as far as concepts go… The spirit might be Amdusias,
Moritz: Being a musical
collectief! Which includes a lot of different ideas, “spirits”, approaches, combined to… well,
whatever happens when we meet to make music…
Moritz: More music.
We noticed, that you released two
albums in 2013 (Spiraltendenz and Brimborium) and a split with Oakland’s experiment
combo Mono Pause.
Werner: The split with Mono Pause
is not available yet. Metabolismus and Mono Pause (in The shape of Mark Gergis) met quite
some years back, on a Berlin flea market actually, and there’s been plans for a split
release since then. 2013 seemed like the right time to make it a reality to mark the 20th band
anniversary of Mono Pause, but we couldn’t find a label to release it on vinyl until just
recently. It looks like Unrock from Germany will be putting it out later this year (2014)… 
“Brimborium” is a cassette release of a live recording from an outdoor show on a railroad junkyard in
Stuttgart, released by the always great Sloow Tapes/Wax from Belgium. The
“Spiraltendenz” LP was recorded in 2003 and features guest players
Eugene Chadbourne on guitar & piano,
and German drummer Schröder. It was released on Troglosound in Italy, the label
of our dear friends David Vanzan & Virginia Genta (aka the glorious Jooklo Duo – if you
haven’t found your entry into the Jooklo universe yet, do yourself a favour and get to it…). 
Metabolismus & Jooklo Duo (Bruxelles, 2013)
And of course we don’t know what
the future will bring, but right now it looks like, besides the already mentioned release of
“SuS” on Amish Records, our collaboration with Jooklo which started in late 2012 is ongoing
& fruitful, we’ll have more concert & studio dates in August which will hopefully result in
more collaborative Troglo- (and others) vinyls and/or cassettes. Then there will be a cassette
release of a trio of Metabolismus-members (Samara Lubelski, Thilo Kuhn & myself, Werner
Nötzel) called “Augenmusik” on Eiderdown Records from Seattle soon, and we have an
almost finished album with another friend from Italy, experimental vocalist Patrizia
Oliva, that we’re trying to get released as a vinyl LP (interested labels please get in touch). And
a vinyl release of our collaboration with 5050 from 2012 is also in the workings, on Black
Sweat Records, again from Italy. Besides these projects on different labels we’ll also be
self-releasing vinyl in ’14/’15, the “Umbrellas & Chinese Girlfriends” 10″ and a
4th installment in our “Grounded” 7″ series + most likely a
bunch of cassettes again… Oh, and by the way: if anyone
wants to order any of our more recent self-released & distributed cassettes they can do
so by simply writing to: werner@metabolismus.com.
Where can people see and hear the collective?
Moritz: Not very often. Too many
people involved.
Werner: We do live stuff in
different forms, but rarely and mostly locally… Besides conflicting private timelines of the players
booking tours for a band with a 15+ people lineup is not an easy task. We tried so in summer
of 2013, when we opened for one of Samara’s other bands, Chelsea Light Moving, on a
couple of South German shows and then went on to Belgium for a few dates, with
Jooklo Duo joining us for the whole trip. But travel expenses are high, and most promoters are not
prepared to provide food & drinks & accommodation for that many people, especially if
the band’s totally unknown and there’s no way of knowing if there’ll be any audience for
it… So the only way to see the big lineup (if you’re not from the Stuttgart area) is on YouTube,
there’s some videos up there, including relatively fresh ones (for our standards at least) from
the 2013 tour… You can hear us on all our recordings though.
What does the word
“music” represent to you?
Werner: It’s such an individual
thing, I’d have to say it’s impossible to answer this generally. I would think that as many people
involved in Metabolismus you’d ask, as many different answers you’ll get…
Mine could be: the universal
Thomas: Music is painting a
picture for your mind when it creeps through your ears.
Moritz: Depends on the music.
Moritz: Good music.
Werner: Life = music + people +
animals + films + books + drugs + food + dreams & nightmares + meditation +
everything else… (in no particular order) – but I guess you want to know more specifically about
other people’s music. That would again depend on who in the group you’re asking, but
bands/artists/projects that were generally important to me personally in the early days were The
Nihilist Spasm Band (we even had a project called “Sensabolic Spasm Band” at one point);
The Godz (& other ESP-stuff); The Shaggs; Silver Apples – Music by people that
didn’t/couldn’t play (conventional) instruments, “primitive” sounds.
Also the local ’60s Beat scene, as
documented on the “Schnäbbls” compilation series. Then I could probably mention The
Darmstadt School; FMP; Dada; Fluxus;… Out of all this a very vague idea manifested itself, of
something one might call “primitive avantgardism”. Considering other German/Euro
stuff: the similarities everybody seems to hear are not so much a result of studying the
experimental ’70s scene nowadays called “Krautrock”. I think it’s more the result of a similar
mindset and similar means of interaction as well as similar production approach &
methods, and drawing from similar influences (pre-Kraut) musical and non-musical. More important and
directly influential was other late ’70s/early ’80s music we were listening to, like the
aforementioned 39 Clocks, Die tödliche Doris possibly, or Hirsche nicht aufs Sofa… British Pop,
Punk, Postpunk, Artrock & related sounds like Deep Freeze Mice; TVP; TG; Crass; Fall; Henry
Cow;… Home/Bedroom recording stuff like R. Stevie Moore; John Trubee; even Gandalf
the Grey probably… Plus world musics, middle-eastern & Gamelan, among others, and
soundtracks. …and of course there’s always
the Sun (Ra) & the Moon(dog).
Samara: I quickly realized that I
was in the company of listeners with kindred and way more developed and diverse taste than
my own (collectors). Very generously they started to blow my mind…
Were any members part of any
other musical project?
Moritz: Yes, almost everybody has
other bands, projects, solo careers. Many, many, countless and extremely different
bands of all styles.
Werner: This would be a very long
list, as you can imagine after over 30 years now with a number of members that noone ever
really bothered to determine… Most of it is very low-profile though, besides
probably Samara (Lubelski)’s endeavours… So I’d limit it to projects that are currently
active, which would be Sinergia Elettronica, a project of electroacoustic ritual sounds
with David Vanzan & Virginia Genta of Jooklo Duo (two livetapes available, vinyl coming
soon), Umwurf, which is electronic music, as well as Moritz (Finkbeiner)’s projects Monsieur
Mo Rio, Fizze, Mosquito Ego, and Georgel Nord. Robert (Steng) & Ali (HansJörg
Greiner) play in Rocket/Freudental, Dietmar Köhle in Torben Denver Band. JoJo (Joachim Schütz) plays
with Arnold Dreyblatt, among others. Not to forget Ekkehard Rössle’s band 5050
(fifty-fifty), they have releases on the Klangbad label available, as well as his other musical
activities. And check out Patrizia Oliva’s music, while you’re at
Since we can hear a lot of
influences from German experimental bands we are interested if any of you were part of that
original ’70s scene, that was going on?
Moritz: No
Werner: No, we’re not old enough
for that. Most of us Weren’t born before the mid ’60s – mid ’70s and so had our musical
coming-of-age from the 1980s on. Metabolismus recorded with Gerd Kraus from Limbus later on
but for most of the 1970s almost all of us were simply tooyoung…
Would you like to share anything
else with It’s Psychedelic Baby readers?
Moritz: Yes. For a good South
German meal you need per person:
100 g of spelt flour.
1 egg
1 half eggshell full of water
1 dash of salt
stir til gluey
Now take the lid of a cassette
case. Put the batter on a flat, smooth wooden plate. Cut little worm shaped noodles with the
cassette-tape-case-lid into boiling water. When the noodles come up to the surface they´re
ready to serve with cheese and onions, or creamy mushrooms, lentils seasoned with
vinegar etc. etc.
And guada.
Werner: Hail Satan?
Hans Pfanz: Esteemed Readers –
Everything you’ve been told is a lie. Metabolismus is one person with a computer somewhere
in a basement/ivory tower/mental institution/space station/cave/starbucks, faking it
all. Unfortunately I can’t reveal his/her identity, or this reality would cease to exist…
If you ever become oversaturated
of predictable conventional/commercial music that surrounds us and rapes our
mind daily, make yourself a favor and visit Metabolismus. (http://www.metabolismus.com/)
Jooklo & Metabolismus:
Sinergia Elettronica:
Patrizia Oliva (& Metabolismus):
Article made by Klemen Breznikar/2014
© Copyright
One Comment
  1. tom

    I affirm the quality of Moritz's spaetzle recipe.

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