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It's Psychedelic Baby Magazine

  • Interviews
  • Reviews
  • Articles
  • Premiere
  • Vinyl of the Day
  • About
  • Contact
  • Podcast
    • More
      • Hi-Fi Series
      • Jazz Corner
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  • Interviews
  • Reviews
  • Articles
  • Premiere
  • Vinyl of the Day
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      • Hi-Fi Series
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Klemen Breznikar

Exploring, interviewing and reviewing “The Mendition of the Quay” and their debut album

February 8, 2013 Uncategorized 1 Comment

In modern age of rock `n roll, there are two types of uprising bands: those who wait for the chance, and those who are creating chances. Young but...

Klemen Breznikar

Traveling Circle – Escape From Black Cloud (2012) review & interview

February 6, 2013 Uncategorized 0 Comments

Traveling Circle was formed around 2006. Trio of musicians from Brooklyn New York combine many different genres. From soft hypnotic melodies to heavier songs. Their influences come from...

Klemen Breznikar

Paper Garden – The Paper Garden (1968) review

February 5, 2013 Uncategorized 1 Comment

The Paper Garden “The Paper Garden Presents” (Relics Records, 2012) You can’t always judge an album by its cover, but in this case you can. Housed in a...

Klemen Breznikar

Pi Corp interview with Guy Bickel

February 3, 2013 Uncategorized 1 Comment

Interview with almost forgotten space-rockers, but one of the most unique projects from USA. Pi-Corp was really an interesting project back in the early 70's from Cleveland. For...

Klemen Breznikar

The Growlers – Hung at Heart (2013) review

February 2, 2013 Uncategorized 0 Comments

Once upon a time there was a party-band called The Grateful Dead, and while most Growlers' fans don’t have the foggiest idea who The Dead are, The Growlers...

Klemen Breznikar

Tractor | The Way We Live | Interview

February 1, 2013 Uncategorized 3 Comments

Tractor is one of the best two piece bands ever to come out of the UK although the band did not start out as a duo. Beginning life...

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Vinyl of the Day

On ‘Valerian Tea’ (Exploding In Sound Records), San Francisco’s Magic Fig steeps the pastoral whimsy of the Canterbury scene in a heavy dose of garage rock fuzz, creating a mellotron-laced funhouse where sunny, glockenspiel-flecked melodies inevitably curdle into disorienting, psychedelic fever dreams.

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