It's Psychedelic Baby Magazine

It's Psychedelic Baby is an independent, music magazine. We are covering alternative, underground, non-commercial and non-mainstream artists in variety of shapes and genres. Exclusive interviews, reviews and articles. A place where musicians can express themselves. We serve an international readership.

The Rolling Stones reissues


The Rolling Stones - ABKCO Records reissues

Reissues of albums from the Rolling Stones may not come with all the fanfare of recent Beatles’reissues, but with one of the 50th anniversary audiophile editions of the 1967 album Their Satanic Majesties Request (ABKCO), the Stones come up with a package that the group’s fans must own.

Sugarpulp interview


Sugarpulp is making strides in the Chicago music scene and creating psychedelic waves that delve into deep, sultry tones, rhythms, and melodies. I had a chance to experience their live set at The Subterranean July 30, 2018 and then again at the Live Wire Lounge October 19th where they headlined the 2018 Psychedelic Eye Fest. Captivating licks that complement a series of grooves, Sugarpulp takes the listener on an adventure through a fun house of limitless bounds of creation and imagination. The spirit of the Yeah Yeah Yeahs swirls with undertones of The Kinks. Their most recent release, “Waiting in the Dark” brings to life the burning desire of temptations that create a love affair with an evocative composition. We were able to discuss their upcoming release of their sophomore album “Teeth”, musical influences, where they’ve been, and where they are going all while eating spaghetti in the bathtub. 

The Cactus Blossoms - “Easy Way” (2019) review


The Cactus Blossoms - Easy Way (Walkie Talkie Records, 2019)

On Easy Way, The Cactus Blossoms have not only revived the style and attitude of the Everly Brothers, but their spirit as well, as brothers Page and Jack deliver a solid set of old school breezy easygoing and often plaintive laid back numbers that ride with confidence and assuredness.

1967 Brit-Psych B-Sides


The mode of the music changed, the walls of the cities shook, rooms hummed harder, ceilings flew away. In his 1965 poem, ‘Who Be Kind To?’, the preeminent beatnik spokesman Allen Ginsberg envisaged ‘nameless voices crying for kindness in the orchestra, screaming in anguish that bliss come true’. Amidst the hallucinatory shangri-la of 1967’s Summer of Love, the potential of that bliss came to visit under the thin disguise of UFO-ria. Tomorrow’s ‘real life permanent dream’, unable to gestate quite long enough to be fully realized, nonetheless appeared tangible enough within those twelve tumultuous months as to plant blossoms within an entire generation’s worth of young minds. Building upon the achievements of the psychedelic pioneers of 1965-66, the British counterculture took flight, penetrated the mainstream, flew too close to the sun in conglomerate homage to Icarus, before falling into a disorganized and acid-fried retreat which by the decade’s end proved irreversible. Yet, 1967’s hippie high water mark, a desperate bid to enact an Eden of peace, free love and not insubstantial drug use before the encroaching tide of violence could destroy the schemes of the cognoscent bohemian dreamers, changed the society which birthed it in a manner few other subcultures have managed. Not just in the U.K, but across the Western world and beyond, the movement unleashed some of the most compelling music ever recorded. So potent was the power of the new exploratory genre of psychedelia that Rolling Stone’s Langdon Winner recalls this all too brief epoch as ‘the closest Western civilization has come to unity since the Congress of Vienna in 1815’.

Bingo Trappers


The Amsterdam based Bingo Trappers started out 25 years ago as a lo-fi band (with releases on labels like Shrimp and Sing, Eunuchs!). These days, Bingo Trappers sound less lo-fi, which means you can concentrate more on the songs and less on the sound. 

Mott The Hoople - “Mental Train-The Island Years 1969-71” (2018) review


Mott The Hoople - Mental Train-The Island Years 1969-71 (Universal Music, 2018)

A rather enigmatic British rock band who recorded seven studio albums and one live LP between 1969 and 1974, Mott The Hoople were always recognized as an incredibly original sounding band despite the fact that many of their best performances were covers of songs written by artists ranging from Bob Dylan and David Bowie to Sonny Bono and Doug Sahm. The groups’ career was split into two periods, their early years on Chris Blackwell’s Island Records and their later tenure spent at CBS Records. None of the four studio albums and three singles appearing on Island chartered on either side of the pond, but arguably contain their finest recordings, with a rawer, more varied sound. Universal Recordings celebrates their Island catalog with the incredible six disc, eighty nine track box set “Mental Train” which contains no less than thirty previously unreleased tracks. The set’s contents are thematic, with one devoted to each of their four albums released on the label, all generously supplemented by bonus material, another titled “The Ballads Of Mott The Hoople” containing rare or unreleased studio tracks and the collection rounded out by “It’s Live And Live Only” comprising six cuts from a 13th September 1970 gig at Fairfield Hall in Croydon, and six more tunes from a 30 December , 1971 BBC Radio 1 “In Concert” show. The box set showcases the instrumental talent of the group’s original quintet and presents a wonderful mix of original tunes and cover versions which the band invariably made their own.

TFS - “A Laughing Death in Meatspace” (2018) review


Tropical Fuck Storm - A Laughing Death in Meatspace (Joyful Noise Recordings, 2018)

It’s hard for a group with a name like Tropical Fuck Storm to not trigger a swarm of expectations for their listeners. But with their recent full-length release, A Laughing Death in Meatspace, the Australian group goes above and beyond all anticipations. Spanning 9 songs, the LP is full of monstrous catharsis that in many ways defies categorization while feeding a rock-centric hunger. With an affinity for noisy experimentation, shoegaze-y explosions, and math rock-esque songwriting, the group delivers some fringe sound that couldn’t be more delirious and delicious.

Heronimus Fin interview


UK psychedelic acid rockers Heronimus Fin! Interview with Jon Buxton & Andy Cooke of Heronimus Fin. 

Space Debris interview


Space Debris is a German space rock band. They combine variety of genres, from ‘krautrock’ to jazz fusion. 

Annexus Quam interview


Annexus Quam formed back in 1967 in Kamp-Lintfort (near Dusseldorf). By 1970 they released Osmose and two years later very experimental album entitled Beziehungen. Both releases are very unique by an equally unique band. Interview with Ove Volquartz (tenor & soprano sax, flute) and Hans Kämper (trombone & guitar).

The Citradels interview


The Citradels began in Geelong, Australia, in late 2010 as a musical outlet for Sunny Down Snuff. His bedroom project gradually expanded into a band and two EPs were self-released in 2011. After relocating to Melbourne, the band began playing regular shows. Material for a full-length album was recorded near the end of 2012 at the band’s home in the Western suburbs of Melbourne. The Citradels’ debut LP Psychotic Syndrone (January 2013), was followed by Our Lord’s Secret Service (August 2013), Droned and Rethroned (February 2014), Nepenthe (September 2014), A Night Of Contemporary Feedback Music (May 2015) and Are They Still Here? (January 2016), Where’s One? (May, 2017), God Bless (January, 2018) and their latest Fuck The Hits: Vol​.​1

There have been numerous lineup changes with 15 members coming and going. The current line up consists of Sunny Down Snuff, Curtis Goodfellow, Sam Heathcote, Rhys Young and Alex Pijpers. They are currently working on a new album.