It's Psychedelic Baby Magazine

It's Psychedelic Baby is an independent, music magazine. We are covering alternative, underground, non-commercial and non-mainstream artists in variety of shapes and genres. Exclusive interviews, reviews and articles. A place where musicians can express themselves. We serve an international readership.

From The Vault: The Darkside - All That Noise (1990)

No matter how well you think you’re prepared, there are some things in life that you’re not ready for when they come knocking at your door. I wasn’t even ready for the blinding cover art of All That Noise, yet alone for the far flung hazy musical intoxication that shifted my life into hyperdrive, that jettisoned me beyond the third ring of Saturn and fogged my space mask with multi coloured crystalline dimensional mist … with each breath, causing me to feel that I was having one of those acid flashbacks I’ve been waiting for since the 1960’s.

It’s Psychedelic Baby presents: The Underground Youth - ‘What Kind Of Dystopian Hellhole Is This?’ album premiere

What Kind Of Dystopian Hellhole Is This? is the 8th LP from Berlin-via-Manchester based outfit The Underground Youth and it’s arguably their most accomplished yet. Their latest effort will be released by Fuzz Club on February 15th 2017. Perhaps what is most exceptional about The Underground Youth is their ability to create a brooding melting pot of psychedelia, post-punk, Berlin chillwave, goth and shoegaze but delivered with a dreamy pop sensibility. TUY's blend of dark psychedelic post-punk music has developed a worldwide loyal fan base that continues to grow.

Steven Warwick

I’m optimistic

With Nadir, Steven Warwick made a short, personal and deliberately unfinished album.

I often have the impression that your music is as much about music than it is ‘real music’, meaning: your music makes me question what ‘dance’ means these days, or what ‘a song’ still means these days. It makes me wander about which role music plays in our culture right now. This way, I see your work more in the line of artists like Felix Kubin, Leyland Kirby, Goodiepall or James Ferrraro than in the line of ‘real dance producers’ or ‘real songwriters’. So to come to my question: what you you think about this? Does this make sense to you? 

I don’t really want to follow what I see as a false binary narrative between real and .... what do you mean: fake? Or even worse: smart? If you mean: people/producers who play with forms etc, I think enough club music I hear right now which I would happily align myself with would fuck with things just by default, without having to be presented as something like ‘experimental’ or ‘intelligent’. Neither of those terms seem relevant nor interest me.

Diminished Men at Fred Wildlife Refuge in Seattle January 26th

© Jack Gold-Molina

Diminished Men have been playing psychedelic music for more than 10 years, and have the albums to prove it. While they were formed in the Seattle area, they have toured Europe and the U.S. – drummer Dave Abramson particularly extensively with psych juggernaut Master Musicians of Bukkake. Their recent performance in Seattle at the Fred Wildlife Refuge venue demonstrated that with this band, no two shows are ever the same.

From The Vault: Spacemen 3 - Recurring (1991)

I was alone in the dark, hazy blue smoke filled the small ten watt radio station the night this album found its way into the studio. To the glow of the red and green lights of the console board I made a sincere attempt to read the liner notes, failed, and dropped the disc into the tray. At 11:35 a musical adventure took control of not only my head but of those out there in the night, riding the waves of the radio ... together we listened to the disembodied voices and guitar driven electronics that were washing in from another side of the universe.

Trip Hill - Takes From Oblivion (2000) review

Trip Hill - Takes From Oblivion (Psych-Out, 2000)

Trip Hill opens the first track of “Takes From Oblivion” sounding for all the world like Sonic Boom [late of Spacemen 3], delivering a comprehensive guitar driven bit of wanderlust that draws the listener in with rapture and delight … though in this case I don’t think that he’s so much playing in the style of, but rather setting an atmospheric stage from which he can branch out both lyrically and instrumentally. The second number “The Choice”, is a choice bit of garage psych that’s laced with all the right hooks and momentum to carry you forward into an adventure that began so long ago that I care not to consider the years that have swept by me.

Lamagia - Lamagia (2017) review

Lamagia - Lamagia (LP on Cardinal Fuzz/Sunrise Ocean Bender, 2017)

Sophomore full length from Sweden psychsters features 35 minutes of brain-crushing, throbbing deliciousness split across two sidelong tracks. ‘Aurora’ pummels forth like that proverbial train that kept a-rollin’ down the line, awash with fuzz-frying, dive-bombing guitar, stutter-stepping drums, and head-throbbing basslines. The metallic crunch kicks off right out of the starting gate and doesn’t let go of your throat for nearly 17 heart attack-inducing minutes. Doomladen vocals are so distorted you’d need a secret decoder ring to understand the lyrics, but the swing’s the thing and you can shout just about anything you want along to the eternal, buzzing throb.

Steve Gunn - Eyes on the Lines (2016) review

Steve Gunn - Eyes on the Lines (Metador Records, 2016)

Steve Gunn doesn’t take many chances, and as much as I enjoy his lazy harmonic psychedelic meanderings, I’m beginning to wonder just how much more of Gunn’s music I’m ever gonna need … or perhaps at this stage, I should construct one of my infamous compilations, selecting the cream of his material, and let the rest drift off toward the setting sun.

The Murlocs interview with Ambrose Kenny-Smith

© Jamie Wdziekonski

The Murlocs formed a few years ago in coastal town of Ocean Groove, Australia. They released two albums, both of them are in category of perfect sunny laid back garage rock, reflecting lazy sunset’s of their coastal town. Currently working on their new album. Two members (Ambrose Kenny-Smith and Cook Craig) are also active members in King Gizzard and the Lizard Wizard. Gizzard is releasing albums like mad, already working on their ninth album, Flying Microtonal Banana.

The Psilocybin Mushroom Bible by Dr. K Mandrake (2016) review

Mushrooms are grown on a substrate material thus they don’t need light to grow. This procedure requires sterility so that the fungus can grow. The cultivation of mushrooms could be quite intricate however; The Psilocybin Mushroom Bible provides an in-depth insight into every phase of the growing process. It adopts a comprehensive approach to the cultivation of the psychedelic mushrooms and goes even further to offer an overview of the makeup of mushrooms, the requirements needed for the cultivation of cannabis as well as on how to introduce psychedelic mushrooms into garden. The book is saturated with pictures and illustrations that would enhance learning and understanding of the entire process.

Gioele Valenti of Herself and JuJu

Gioele Valenti is a man behind JuJu, his latest project that was issued on Sunrise Ocean Bender. He’s well established underground artist from Italy. JuJu is one of the many projects he’s been part of during the years including Rebekah SpleenLay Llamas and Herself, the latter being an incredible well produced folk rock. Valenti’s drawing influences from a broad spectrum of worldly sounds.

You’re very busy working on a few different music projects. Would you tell us a few words about your background, who you are and how did you first got interested in music?

I’m a writer, I think I have no better definition about who I am. I began to write short stories at the age of 14. In the same period I was into early 70’s music and late ‘80, stuff like Kiss, Velvet Underground, Joy Division. I colonised all the vinyl collection of my older brother. I passed so much time listening and being astonished and mesmerised by tunes and lyrics in my room. Music possesses me, literally. I started my first band at the age of 17. We played extreme metal, then punk, then hardcore, Misfits, DRI, Hard-Ons. After that, I began to love folk music, Nick Drake, The Waterboys, Phil Ochs (it was the period in which I started my folk project Herself), New Wave, then all Shoegaze scene, The Loop, The Telescopes, Jesus And Mary Chain, Barbie Bones, The Seers. Better I stop here, I’m an authentic maniac!