Lantern interview with Emily Robb and Zachary Devereux Fairbrother
I could spend a ton of time trying to explain the intricacies of Lantern’s sound or listing their impressive collection of releases from the past few years. Instead...
Karhide – Remember Remember (2013) review
Karhide "Remember Remember" (Field Records, 2013) This EP is a brief listen at just over a half hour,...
Stained Glass – Crazy Horse Roads (1968) review
Stained Glass "Crazy Horse Roads" (Capitol Records, 1968) Originally called the Trolls, this San Jose, California band accumulated a fair degree of local success during their existence and...
Cartesian Jetstream interview with Simon Kilgannon
I’ve been listening to music long enough at this point that I can remember when, as an American, I felt extremely alienated from any imported release. Anything that...
“Human Pain Threshold”, Destruction Unit @Galeria Zé Dos Bois, Lisbon (POR) – 31/10 Live Report
For those who have read my previous articles, you know I don’t like to use other bands to compare to the ones I’m writing about. For those who...
Aqua Nebula Oscillator
I’ve always been a glutton for the wild and fantastical whims of the occult. There’s something so enticing about the mythology behind it; epic and powerful demigods and...
Chris Grant – It’s Not About War! (2013) review
Chris Grant “It’s Not About War!” (359 Music, 2013) Liverpudlian Grant writes heartbreaking songs with a Northern sensibility – cold, wet, forlorn – reminiscent of his neighbours Echo...
Writing for Psychedelic Baby
We are going to take a few days off. In the meantime anyone interested in being a writer for Psychedelic Baby should contact us via email (psychedelicbabyblog@gmail.com).
Hoi’ Polloi interview
The band's lone 1972 self-titled album, recorded over spring break at Earlham College by means of "bouncing" between two stereo tape decks, is a fantastic collection of country...
Asimov – ‘Overseas’ (2013)
Sophomore effort from this Portuguese psychedelic outfit is full of fuzzy, wah-wah guitars, chunky drumming, and hallucinogenic, chanting vocals. Simple, minimalist rhythms pump through the opener, which seems...