Thank you very much for agreeing to this interview, Oliver. You are making such an amazing music, that's why I'm really honored to be talking with you. Firstly I would like to ask you about your childhood. You were born in Marianna, Arkansas in 1942, What were your main music influences?
My main influences are Jackie McLean, Eric Dolphy and Duke Ellington.
You were attending the Association for the Advancement of Creative Musicians. What can you tell me about that experience?
We (the Black Artist group-BAG) did exchange concerts with the AACM . A bus load of BAG musicians went and performed in Chicago and bus load of AACM musicians came to St. Louis (my home) and performed at the BAG building .....this was around 1969 -1970
Black Artists Group was your first "group" is that right?
My first group was Oliver Lake Art Quartet which had some member of BAG ....it was Floyd LeFlore trumpet, Arzinia Richardson bass, Jerome harris drums and myself... You were playing with Julius Hemphill, J.D. Parran, Hamiet Bluiett, Luther Thomas, Baikida Carroll, Floyd LeFlore , Joseph Bowie, Arzinia Richardson, Bensid Thigpen, Charles Shaw. Please describe us experience with this guys. I'm also interested if you can share a few words how did it all started... It was around 1968 when a lot of musicians whom I associated with in St. Louis would have regular jam sessions behind the art museum in Forrest Park in St. Louis, MO. Some of the musicians were Julius Hemphill, Philip Wilson, Baikida Carroll, J.D. Parran, Jerome Harris and Floyd LeFlore, to name a few. Around that same time, I made a trip to Chicago to hang out with my great friend Lester Bowie, who was a member of the Art Ensemble of Chicago and the AACM (Association for the Advancement of Creative Musicians). I attended concerts and meetings of the AACM and was not only impressed with the music, but also their organization. I came back to St. Louis very excited about the Chicago trip and when I met with my St. Louis cohorts, I suggested that we become a branch of the AACM in St. Louis. It was Julius Hemphill who suggested that we start our own group because a loose association already existed between visual artists, dancers, actors and musicians. This ensemble had recently done a performance at the Forrest Park University called The Blacks by Genet. So Hemphill’s thought was to involve everyone who had been a part of that production and start our own group called the Black Artists Group (BAG). This was pretty much the way we began our creative journey called BAG.
Your next project was Human Arts Ensemble. You released several albums through 70's. If you can share your thoughts about the band. I would also like if you can comment some of albums that were released. From Whisper of Dharma from 1972, Poem of Gratitude from 1973, Under the Sun from 1975, Junk Trap, Streets of Saint Louis and The Human Arts Ensemble Live. Vol.1,2 all from 1978 and in 2008 you released Autonomous Oblast.
I don’t know anything about the 2009 release, was not a part of that.
Share a few words about this releases...
I only know about the recordings that I was a part of/ Whisper of Dharma from 1972, Poem of Gratitude from 1973, Under the Sun from 1975 Jim Marshall produced and performed on these albums, many of the players were a part of BAG.
You moved around mid 70's to New York. There you recorded your first album called "Passing Thru". It was released in 1974. What can you tell me about the record?
It was recorded in Paris at The American Center for Artist & Students. My first solo sax recording and my first record for my recording company, Passin’ Thru.
Later you released Heavy Spirits in 1975, Holding Together in 1976 and NTU: Point From Which Creation Begins in 1976. Can you share few words about this releases. NTU: Point From Which Creation Begins was actually recorded in 1971, why it was released 5 years later?
The record company that recorded NTU: Point From Which Creation Begins, went out of business before they could release the recording, after I moved to New York, I worked out a deal to have it released on Arista records. I am also interested what did inspired you the most to record this albums?It was the beginning of my recording history, so I was very excited to be getting my music out to the public.
You are also a co-founder of the internationally acclaimed World Saxophone Quartet with Hemphill, Hamiet Bluiett and David Murray. World Saxophone Quartet released many albums. The very first one is from 1977, called "Point of No Return". Can you tell us how did it all started?
The World Saxophone Quartet began performing as a unit in 1976, and was the brainchild of Ed Jordan, head of the music department at New Orleans Southern University. He had heard the saxophonists in their individual groups, and hired them to do a show together. The response was so great to our performance in New Orleans, we decided to keep the group together. At first we named the group New York Saxophone Quartet, and quickly found out there was another group with that name , so then we named our group the Real New York Saxophone Quartet, we got a letter from their lawyer, so then we decided to become The World Saxophone Quartet.
Can you pick few of your music highlights?
The WSQ performing with Max Roach!
In early 90's you started "Trio 3" with Andrew Cyrille on drums and Reggie Workman on bass. What is your main guidance in Trio 3?
The “Music” is the main guidance!
You are an accomplished poet and painter. You were probably influenced by the Saint Louis Black Artists’ Group?
Of course, I always refer to Black artist group as my school , each week I experienced different ways of expressing myself. Working with dancers, poets, actors, musicians and visual artists influenced me in all my artistic endeavors.
What are your future plans? Do you have any new albums or even a tour on your mind?
Yes, I will be recording a new cd for my 17 piece big band , before the year ends, and my organ quartet will do a west coast tour in late August of this year.
Interview made by Klemen Breznikar/2011
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