The 1973 home recording project by Bill Holt, The Dreamies, demands re-evaluation within the historiography of electronic music. Its lo-fi aesthetic and pioneering sonic architecture position the album as a critical, accidental precursor to formalized electronic genres, challenging the established chronological dominance of institutionalized artists. Holt’s significance is rooted in his temporal precedence and do-it-yourself … Continue reading Auralgraphic Entertainment: Dreamies | Interview | Bill Holt